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Andrew became the architect of the fabric, I think, of one of the Cathedrals, later on. Andrew Anderson, whose project is there, was a student with Peter at the AA at the time, part of a group that were called - I don’t know if only by Peter - The Christian Weirdies.
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I think it was a project at Liverpool, and various people contributed. So there was a guy Ken Martin, I haven’t met him once in the last ten years. So this was all highly organised: stapled down one edge, printed on both litho and letterpresses.
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That was the plan of it, and the elevation was on the front sheet. We did a competition for the Westminster Housing - Lillington Street Housing - that Peter liked. Īnd these two projects are the reason, Peter had got in touch with Ron, Warren and myself. It had, I think, four pages of type written and printed by letterpress pages and other pages, like this one, which were printed offset litho.Īnd these two projects are the reason, Peter had got in touch with. So the text pages were actually typeset with metal type because there wasn’t any digital type-settings then.īoth issues 1 and 2 are extremely rare this is the only one I’ve got and it’s got notes written on it and so on. He put some of the prize money -or maybe all of the prize money - into the production of the second issue of Archigram because he wanted to, as he puts it, use “proper printing”. Just before this issue came out, Peter had entered a Student or a Young Architects Competition for a Gas House and he’d won a prize. We weren’t big buddies by then, that came slightly later. By this time Ron, Warren and myself were in contact with Peter, David and Mike, mainly because Peter wanted us to contribute to the second issue of Archigram. This was the second issue, a year or so later. Sold for 1s 6d (7.5p) money posted by readers on receipt of magazine.
Scoreland magazine free archive professional#
Professional printing was funded by money won by Peter Cook (competition for a Gas House) Contains ad for the LCC.